November 17, 2016 § 1 Comment
Last week, after the election, I invited participants in my workshops to write through their strongest emotions during this time. Today, each writer read their responses aloud.
Ache and raw despair.
Honesty, strength and commitment to love.
And the question threading through all: How far would I go to stand up for what I believe?
I walked home in tears—not tears of sadness and trepidation, but tears of thankfulness. Thankfulness in knowing there are so many, many extraordinary people in this world around us.
July 21, 2015 § 22 Comments
When I first laid bare my personal writing in workshops, I puked before and after each meeting. I’m not talking about exposing my nature poems or opinions on the current state of education—I’m talking about writing with a truth stake driven through its heart.
I puked before the meeting, because I had no idea how the other writers would respond, no idea if they’d appreciate, reject, ridicule or judge. I puked afterward, (even if the critique was good, maybe even more so) because in some weird way, I felt I’d betrayed self, stopped protecting self—I’d allowed the dangerous, naive part of me to dance naked in the streets, arms open, face lit with desire and possibility—I’d unlocked the door of the safe house, knowing she’d run out, knowing she’d get hurt.
And when I signed with an agent to sell my novel?—the story of disrupted identity and power imbalances that might cause people to speculate about who the main character really was, I puked for three days straight.
My therapist told me puking was to be expected. Apparently, I was tearing apart some pretty hard-ass wiring. Apparently, it wasn’t the dangerous, naive part of me dancing naked, it was inner warrior woman, and like pupae ripping from industrial strength thread and bursting through membrane, discomfort was inescapable.
“You’re creating a new person,” he’d say. “You’re acting as if you are worthy. That’s no small thing.” He’d pass me Kleenex, shake his head and say things like, “The dangerous part of you isn’t naked woman or warrior woman. The dangerous part of you is underground veiled woman.”
He encouraged me to continue putting my voice out there—to say what I felt like saying, in the way I felt like saying it. To consider vulnerability as strength. To trust more. To say “fuck it” to anyone who thrived on tearing down, rather than firing up. To tell myself, “Your voice is beautiful.”
And so. With each new page of writing I exposed for review in groups, with each essay and social media post I didn’t delete, each time I said, “Fuck it,” and “Your voice is beautiful,” I felt less susceptible to harm. I began to taste, feel and smell the intoxication of a sturdier more resilient infrastructure. And as corny as it sounds, I felt different, in a sacred kind of way.
There are still plenty of days I worry about what people think, and my sentences crumple to dust and blow away before I can grab them and hide them under the bed. And there are nights I fail to believe I’m more than a story, rating or ‘like’, and lay awake in a hot sweat, cheeks wet with doubt and shame.
I will never again underestimate the power of saying fuck it and your words are beautiful—because it feels like something wrong is slowly being righted.